The not-to-miss show opened on February 12 and will run until June 9th. Each curator shares their vision of photography and the work of these great artists through their selection. The aim of this unique project is to renew and enrich our vision of Henri Cartier-Bresson’s work through five personalities.
Legendary photographer Henri Cartier-Bresson changed the world of photography by changing his defining moment ideology with his intuitive style and sharp observational style. Bresson influenced the aesthetics of photojournalism and other notable photographers such as Robert Franks’ The Americans. As one of the founders of Magnum Photos, arguably one of the most famous photo agencies in the world. Bresson’s work spread through the world postwar and forever influenced the course of photography.
Henri Cartier-Bresson was born in Chanteloup-en-Brie in Seine-et-Marne and then became very interested in painting, especially surrealism and created breathtaking images that capture the humorous human qualities that unite the world. He discovers Leica – his favorite camera since then – and starts a passion for photography that will last a lifetime.
During these last years, while living in France, he has written or was the author of several books, “The Eyes of Thought”, “Portfolio”, “Tête-à-tête”, “Mexican Notebooks”, “Masters of Photography”, “The Proposal of Paris “And many others. In the early 1970s he retired from photography and took no more photographs in 1975 aside from occasional private portraits. He said he kept his camera at home in a
He escaped in 1943 and participated in the French underground photographic unit tasked with filming German occupation and retreat ; in 1945 he directed the film Le Retour for the US Office of War Information, which tells the story of the return of liberated prisoners of war and deportees to France ; assisted Jean Renoir in 1936 and 1939 ; and directed his documentary Return to Life in 1937.
Henri Cartier-Bresson (born August 22nd, 1908 in Chanteloup, France — died August 3rd, 2004 Cerest) is a French photographer whose spontaneous and human photography helped define photojournalism as an art form. His theory that photography can make sense of appearance in moments of extraordinary clarity is perhaps best expressed in his book Images a la Sauvette (1952; The Decisives ;
Perhaps no image illustrates this sensitivity better than Behind the Gare de Saint-Lazare (1932), which depicts an anonymous contoured figure in the middle of a mirror-like body of water. This rapid movement was confirmed in a 1962 documentary in which Cartier-Bresson photographs a French street. The photographer is always on the move, hiding the camera behind his back until the last moment.
Cartier-Bresson once said about his work: “Photography is simultaneous recognition of the meaning of an event in a split second as well as the precise organization of the forms that give this event its proper expression, if a photograph is to communicate its subject with all the light it gives, the relation of forms must be strictly established.
It was and remains an organization that defends the rights of photographers who submit images to magazines. The Surrealist Movement was the catalyst for this paradigm shift.
