In numerous interviews since the 1930s, Miró has expressed contempt for traditional drawing methods as a way to support bourgeois society and announced the “killing of painting” in favor of disrupting visual elements of established painting, which gathered in Montparnasse and moved to Paris in 1920, but continued his working career as a clerk when he was a teenager.
Pablo. Picasso was in his final year as a soldier, Spain did not participate in World War I and was disappointed that the fighting in France threw back its ambitions to join the Parisian vanguard, took care of him, bought the painting Miro showed him and helped him into the radical society he dreamed of. He met Pablo. Picasso and many other great painters and painters who lived in Paris, the center of art of the late 19th and first half of the 20th century.
Vibrant colors are combined with simple shapes reminiscent of five-year-olds and Miro ranks among the contemporary artists such as Picasso or Chagall whose work has also been published for a wider audience in large print media.
At this time political changes in his home country led to the first full exhibition of his paintings and drawings in 1978 at the Centro de Arte Reina Sofia National Museum in Madrid and several exhibitions were held in the year of the centenary of his birth.
Over the next thirty years of his career, Joan Miró was known for working in various forms of art, creating different environments and using all kinds of working methods to create new pieces, no matter what medium he worked with.
More than all of. Joan Miros’s work was exhibited during this period in a series of solo and group exhibitions that brought fame to his work and the Catalan style he created most of his works; he worked extensively in lithography and created many murals, tapestries and sculptures for public spaces ;. Joan Miros’s art changed over the course of her career, but often combined naturalism with abstraction.
In 1920, his parents took him to a convalescent estate they bought specifically for this purpose – Montroig near Tarragona, Spain – and allowed him to attend an art school in Barcelona. These artistic interests prompted Miro to move to Paris but in 1912 he continued to spend the summer in Barcelona. In Paris he met Pablo Picasso and other notable artists and poets, surrounded himself with creative personalities.
The canvas depicts a landscape full of personal symbols and memories of life on a family farm in Montreuig, Spain. Such as a tree trunk with a leaf and a hunter of the same name carrying a freshly dead rabbit – add poetic riches to the daily life of the farm. Although its matte and atmospheric background was loosely applied, the individual motifs and locations were sketched in advance.
Miró sought to give free rein to the unconscious in this and many of his later works as the surrealists, trying to formulate a new pictorial language. One such painting, The Farm (1921) showed a shift towards a more individual style of painting and some nationalist qualities. In the mid-1920s Miró spent time studying the French avant-garde, like André Masson Max Ernst, a semi-realistic interpretation of his childhood home.
After writing The Farm, Miró began to pursue more time in Catalonia seeking ways to reveal the essence of his catalan identity, visiting André Breton in Paris and rediscovering his once-coveted ism.
