Artists in the History

Louise Nevelson

Louise Nevelson Plaza Sculpture Garden () is located in Lower Manhattan, and shows a collection of Nevelson’s work based on a 1955 small woodwork. Nevelson donated over twenty feet of sculpture to the city based on a small woodwork.

Nevelson continued to use wood in his sculptures but he also experimented with other materials such as aluminum, plastic and metal. The 1969 Black Zag X is an example of all-black artist assemblies using Formica plastic. Nevelson continued to experiment with other artistic media including lithography and etching, but decided to focus on sculpture. Nevelson studied abstract painter Hans Hoffmann in Munich in 1931-32 and then in New York City.

During his time at the Art Students League he began to study full-time art with Kenneth Hayes Miller and Kimon Nicolaides in 1929 ; in 1920 Louise Nevelson moved to New York where she later attended the Art Students League (1929-30) under Kenneth Hayes Miller. Louise Nevelson (née Leah Berlyavski) fled the pogroms in her home country Ukraine to become the leading 20th century sculptor from the Abstract Expressionist movement.

Louise Nevelson (September 23, 1899 — April 17, 1988) was a US sculptor known for her monumental monochrome wood wall panels and outdoor sculptures in the Poltava province of the Russian Empire (now Kiev Region, Ukraine) and moved to the United States with her family at the start of the 20th century. He attended art classes at the Art Students League in New York in the early 1930s and held his first solo exhibition in 1941.

The life-size Heavenly Cathedral is Nevelson’s sculptural response to the monumental abstract expressionist paintings of largely male artists who received the attention of American art in the 1950s. He deliberately chose wooden forms that both the Middle Kingdom and the New World architecture reminded him.

Although he had his first solo exhibition at the Nierendorf Gallery in 1941, Nevelson did not develop his signature spray-painted monochrome wood assemblies until the late 1950s when he became aware of Nevelson’s work when he moved to New York and met her twice. In 1960 he first saw some of his gold sculptures on display at the Whitney Museum.

When he returned to his home town of New York in 1932 Nevelson began working as an assistant to Diego Rivera, helping him with the frescoes he did as part of the WPA Federal Art Project. Soon after this work he turned to sculpture : born in Russia, moved to Maine in 1905, since then he has lived in New York.

An internationally renowned artist who has created an unusual collection of wooden forms and sculptures from steel, aluminum, plexiglass and other materials. One Hundred Reproductions by 100 Artists from the Art Students League of New York, 1875-1975 (exhibition catalog). Pittsburgh International Exhibition of Contemporary Painting and Sculpture (exhibition catalog). Annual exhibition of contemporary American sculpture, watercolors and graphics (exhibition catalog).

The history and legacy of Samuel M. Kotz and Kootz Gallery (exhibition catalog), texts by Arthur C. Danto, Brooke Kamin Rapaport, Harriet F. Ceni and Michael Stanislavsky. Women’s Arts Forum Bishop, Burke, Neil, Nevelson, Okiff (exhibition catalogue).

The two decades of 1957-1977, American sculpture from Northwest collections (exhibition catalog). Jewish experience in 20th Century art (exhibition catalog). This exhibition, based entirely on Whitney’s collection, follows his work in drawing, printing and collage from his first attention to the human body to his progression towards abstraction.

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