While his contemporaries made impressive strides in the art world selling their works to secular collectors, Duchamp remarked: “I am still a victim of chess. Although Duchamp was no longer considered a real artist, he continued to consult with artists, art dealers and collectors. Duchamp’s artistic life lasted for several decades, during which time he reinterpreted his art several times, often for the comfort of critics. In 1923
Marcel Duchamp’s last great work surprised the art world that had believed it had abandoned art for chess 25 years ago [69] [70] [71] [72] [73] and his work influenced the development of post-war Western art.
Duchamp was never known as his collaborator – if there was a one – but the young woman in Stieglitz’s description was differently identified as Baroness Elsa von Freitag-Loringhoven, an eccentric German poet and artist he loved (but was jealous of ) or Louise Norton who wrote an essay for The Blind Man (Art Newspaper and Dada)
Marcel Duchamp (1887-1968) was an innovator who had a vested fascination with the mechanics of human desire and sexuality, as well as his passion for puns, which brought his work closer to that of the surrealists, although he refused to be associated with any particular art movement as such.
Duchamp’s mother Lucy was an amateur painter and her grandfather was an engraver. He was born in Blainville-Crevon, France in August 28, 1887 and studied at Académie Julian in Paris between 1904 and 1905.
One of Duchamp’s most famous works was the cubist painting Nude Descending the Staircase (1912), which shocked the American public when it was exhibited at the 1913 Armory Show in New York, although he made a famous career in the 1920s as an international chess player, Duchamp never really left the art world ; he also worked on ambitious art projects such as A Box in a Suitcase (1935–41) and Etant Donnes (1946–
In 1923 to 1942, apart from short trips to the United States, he remained in France, where his interest in chess became more and more important than artistic creativity ; he is little known in the art world ; although he participated in several exhibitions of Dada and Surrealism in Paris and New York. Duchamp had little influence on the work of his contemporaries ; but after putting his work in the 1954 Philadelphia Museum of Art collection he became a cult figure
Marcel Duchamp is generally considered one of the three artists who defined the revolutionary development of plastic art in the early years of the 20th century and produced significant developments in painting and sculpture. Eugene and Lucy Duchana have seven children, one died in childbirth and four became successful artists.
His disrespect for generally accepted aesthetic standards led him to create his famous readymade and ushered in an artistic revolution. Duchamp was a friend of Dadaists and helped organize surrealist exhibitions in the 1930s. Duchamp practically invented conceptual art with Fontana, and thereby arod the conventional link between the work of an artist and the perceived merit of the work.
It has been suggested that Duchamp, who came from a small town near Rouen, close to the battlefields of World War I, discredited the power and position of the virtuous artist and critics, admired and condemned as the wars have discredited power. The big glass was considered his last major work until 1969, when the Philadelphia Museum of Art presented a painting of Duchamp Ethan Donne.
It became the center of the Arensberg group, taking advantage of a reputation that has led to many offers from art galleries wanting to manage the work of the nude artist; he refused them all and then remained an artist whose work would be in demand but who was content to distribute them for free among his friends or deliberately sell them for small sums.
