Lempicka won the first prize in 1927 at the International Exhibition of Fine Arts for the painting “Quizette on the Balcony” – a striking portrait of her daughter she rarely saw – a portrait of his mistress with Diosheg.
After World War II, she and her husband moved to the United States and painted celebrity portraits, still lifes, and some abstract paintings in the 1960s. His work fell out of fashion after World War II, but regained fame with the rediscovery of Art Deco in the late 1960s. But unlike these artists who often painted large murals with many subjects,
When she was ten years old, her mother commissioned a famous local artist to create a soft portrait for her. Although her portrait of Marjorie Ferry (1932) was sold at Christie’s auction for £8-12 million, let’s take a look at some of the key aspects of Tamara de Lempickas’ life and work that made her such a modern figure.
At the age of 12 he bought an apartment on the rue Mechains in Paris and was decorated by the modernist architect Robert Mallett-Stevens and his sister Adrienne de Monto. His portraits, including self-portraits, attracted the rich with their bold use of color, unique style and sense of elegance that surround his work. At the age of 12, de Lempicka soon learned of art when her mother paid a famous artist to paint a painting of a window.
The one depicts the Baroness with a Brush from the early 1930s, a brilliant scene from the life of Parisian high society that the Art Deco artist met during his time in Paris between the wars. Tamara de Lempicka is renowned in art collectors circles for her self-portraits and paintings in a recognizable Art Deco style : close post-cubic composition of the picture, soft and sophisticated color, a sense of speed and charm
Tamara de Lempicka (née Tamara Rosalia Hurwik-Gorska — 16 May 1898 — 18 March 1980 ) (known as Tamara de Lempicka), was a Polish artist who worked in France and the United States. She was born on 16 May 1898 in Warsaw, Poland in the family of Russian Jewish lawyer Boris Gurwik-Gorski and Polish socialite Malvina Dekler, who soon became acquainted with art and started painting when she was
De Lempicka, loosely referred to as an Art Deco painter, revolutionized the portrait style, namely the role of the subject as a free and independent woman ; his work contains elements of traditional Art Deco (such as a nude female body) as well as Cubism and other stylistic movements of the early 20th century. The trained artist created compelling work instantly recognizable through the synthetic cubist technique of small geometric planes of vibrant colors.
As one of the most famous examples of Art Deco portraiture, Lempicka drove a green Bugatti racing car wearing a leather helmet, long white gloves and a silk scarf. In fact the artist did not have a Bugatti, but a small yellow Renault, but still his beauty, fierce independence and wealth conveys.
Tamara Lempicka (née Maria Gorska; 16 May 1898 — 18 March 1980) was a Polish artist who lived and worked in the 1920s and 1930s in France and the United States, among others for her Art Deco portraits of the rich and the aristocrats, as well as her work in the collections of the Metropolitan Museum of Art of New York, the Museum of Fine Arts in Nantes and the National Museum of Women in the Arts in Washington DC.
If we can bring Art Deco style to one piece of art, it will be De Lempicka’s Self-Portrait (Tamara wearing a green Bugatti) which depicts a female commander, challenging the stereotype of a female role and asserting itself as a symbol of freedom and power. From the point of view of time, the portraits of de Lempickas corresponded to the “call to order” movement.