Artists in the History

Piet Mondrian

Pete Mondrian, real name Peter Cornelis Mondrian (born March 7, 1872 in Amersfoort, Netherlands ; died January 1, 1944 in New York, New York City, USA) was an important leader in the development of modern abstract art and one of the leading representatives of the Dutch abstract art movement known as De Stijl (“style” ), artist.

Mondrian’s art was eminently utopian and associated with the search for universal values and aesthetics and had a huge impact on the art of the 20th century, not only influencing abstract painting, but also many important artistic styles and trends (for example, the current graphic ).

Known as one of the pioneers of abstract art in the 20th century, his artistic direction changed from figurative painting to more and more abstract styles, so that his artistic vocabulary was reduced to simple geometric elements. Piet Mondrian is an important leader in the development of modern abstract art, mainly due to the Dutch art movement known as De Stijl (style). His mature paintings use the simplest straight lines, right angles, primary colors and the combination of black, white and gray, with extraordinary formal purity.

Mondrian began creating simplified grid images of the three primary colors that today define Piet Mondrian’s most popular compositions, in the late 1920s and 1921, and his work is seen during the development of his work in Paris.

In 1912 Mondrian moved to Paris and drew inspiration from Cubist artists such as Picasso and Braque, returning to Holland during the First World War and pursuing his artistic style. He wrote the most persistent and impressive article entitled “Neoplasticism” in 1920 which became a classic in the 1930s.

De Stijl has influenced art and art theory, including movements such as the Bauhaus movement as well as architectural styles and abstract art. When Pete Mondrian arrived in Paris, he began working with theo van Doosburg and other famous artists in the area, and it was then that they developed the De Stij movement which was quite famous and perhaps exactly what Pete Mondrian was known for during his long career.

Although Mondrian strove to absorb the influence of Cubism in his work, it seems clear that he saw Cubism as a destination on his creative journey rather than a “port of call”. It was a productive time for him but in the end he came to the conclusion that the Parisian experiment lacked imagination.

In 1926 Catherine Dreyer, co-founder of the Society of Independent Artists of New York (with Marcel Duchamp and Man Ray), visited Pete Mondrian’s studio in Paris and bought one of his diamond compositions Painting I. The Partridge family and their bus painted in basic colors grid blocks were inspired by Mondrian’s abstract art. Member Caroline Kane-Levy said that it reminded her of Venice Beach architecture.

Local architect John Guadagnoli proposed to turn the unnamed building on Avenue Lorraine into a Mondrian style artwork. A concrete building with a two-story and a half-flat roof behind No. 224 Lorraine Avenue is a large concrete block waiting to be painted… Neo-Plasticism is an abstract painting style developed by Mondrian in the early 20th century, using only vertical And horizontal lines and rectangular shapes in the primary colors of black, white, gray and red, blue and yellow.

This was a new pure plastic art, necessary, in his opinion, to create universal beauty from 1880 to 1892. As a young man and teenager, she lived in Winterswijk in the Netherlands with her family from 1880 to 1892. In the catalogue she states that “Holland has given birth to three great artists who have risen to the above by the strength of their personalities: the first was Rembrandt, the second was Van Gogh and the third was Mondrian.

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